How Chappell Roan’s producer Dan Nigro crafts pop hits for a brand new era : NPR




AILSA CHANG, HOST:

2024 has been Chappell Roan’s yr. The 26-year-old pop singer has been in every single place out of your Instagram feed to “SNL” to pageant phases the world over, and he or she’s racked up billions of streams alongside the best way.

(SOUNDBITE OF SONG, “HOT TO GO!”)

CHAPPELL ROAN: (Singing) H-O-T-T-O-G-O, simply snap and clap and contact your toes. Increase your palms, now body-roll. Dance it out, you are sizzling to go.

CHANG: However you is likely to be much less aware of Chappell’s common cowriter and producer Daniel Nigro. He is nominated for producer of the yr on the Grammy Awards, primarily based on his work with Chappell and one other singer he is helped propel to famous person standing, Olivia Rodrigo.

(SOUNDBITE OF SONG, “VAMPIRE”)

OLIVIA RODRIGO: (Singing) The way in which you bought me for elements as you sunk your tooth into me. Oh, bloodsucker, dream crusher, bleeding me dry, like a d*** vampire.

CHANG: Nigro produced each of Rodrigo’s albums, “Bitter” and “Guts.” And after I spoke to her final yr, she had this to say about him.

(SOUNDBITE OF ARCHIVED NPR BROADCAST)

RODRIGO: He was a very fantastic guiding mild all through this course of. And, you realize, clearly, he had been by way of this very distinctive state of affairs of this loopy, unprecedented “Bitter” success with me, so he might empathize and perceive what I used to be going by way of while additionally being just a little older and wiser than me and with the ability to information me. In order that positively helped.

CHANG: The ascent of Olivia Rodrigo and Chappell Roan into the pop star stratosphere has helped set up Nigro as the person with the Midas contact in the case of making pop songs for a brand new era. After I caught up with him lately, I requested him what it took to information Chappell to the place she is at present from after they first met means again in 2018.

DANIEL NIGRO: After I met Chappell, she was 20, about to be 21, and he or she was all the time Chappell Roan. It had a really completely different aesthetic to it. It was positively, like, just a little bit darker and moodier within the music tone. And, principally, the primary tune we ever wrote was this tune known as “Love Me Anyway.”

(SOUNDBITE OF SONG, “LOVE ME ANYWAY”)

ROAN: (Singing) It is laborious to confess I used to be the one in charge.

NIGRO: After which it wasn’t till February of the following yr she got here in and he or she was like, I wish to write a tune known as “Pink Pony Membership.” I keep in mind, like, sort of her like, what?

CHANG: (Laughter).

NIGRO: Like, you realize, like – ‘trigger when – should you simply hear the identify, “Pink Pony Membership,” out of context of listening to the tune…

CHANG: Completely.

NIGRO: …And particularly on the time, when all of her music was actually darkish and moody…

CHANG: Proper.

NIGRO: …You already know, I used to be like – I used to be just a little bit, like, what?

CHANG: Is that ironic (laughter)?

NIGRO: Like, yeah, I used to be just a little bit confused as to what she meant. So she began explaining. She needed sort of, like, this dancy (ph) tune. I used to be excited ‘trigger – however on the similar time just a little bit, like, you need a dance tune? So we began writing the tune over a beat.

(SOUNDBITE OF SONG, “PINK PONY CLUB”)

ROAN: (Singing) Black lights and a mirrored disco ball, each evening’s another excuse why I left all of it.

CHANG: OK, so the rhythm was first.

NIGRO: The rhythm was first. So we knew what it was going to really feel like when it was dancy. I keep in mind really feel – I – you – I get this sense – I’ve obtained this sense a few instances in my profession of, like, whenever you write a tune that is so daring your physique, like, begins to offer you these actually – for me personally, like, it offers me these, like, bizarre blended indicators that – ‘trigger you are like, you begin to prefer it a lot, and then you definately really, like, really feel prefer it’s particular. However then you definately really feel like, oh, are folks going to know this? This does really feel actually particular, so I hope that individuals perceive it.

(SOUNDBITE OF SONG, “PINK PONY CLUB”)

ROAN: (Singing) Pink Pony Membership. I’ll carry on dancing on the Pink Pony Membership. I’ll carry on dancing down in West Hollywood.

CHANG: So whenever you had been writing “Pink Pony Membership” and also you had been feeling that ambivalence, do you know on the time, like, that is going to be successful?

NIGRO: No, no. So on the time, I used to be – ‘trigger – so I assume that is going to your query sort of about, like…

CHANG: How she’s advanced.

NIGRO: …How she’s advanced. And I really feel like that was the second, to me, was like this completely encapsulates her character, which will be either side of being tremendous euphoric after which additionally being, like, on the sadder aspect of the musical spectrum, you realize?

CHANG: I like listening to the best way you interpret the artist’s voice. Like, the best way you are like, oh, this tune, “Pink Pony Membership,” it really much more encapsulated who Chappell is. And the factor I wish to perceive about you is the way you do assist artists hear their very own voices as they’re working with you as a result of you’re a decade-and-a-half older than both Chappell or Olivia. You are a person. Does that age and gender hole ever get in the best way whenever you’re serving to them convey their visions to life? I like the face you simply made. It was like, ugh (laughter).

NIGRO: No, no, I do not assume so. I believe that that is – I believe – I really feel prefer it’s virtually, like, a greater query to ask them in a sure means, like, ‘trigger I do not really feel it. I really feel like…

CHANG: You do not really feel that hole?

NIGRO: I really feel just like the – I imply, like, even, like, should you’re speaking about, like, Olivia going by way of sure issues like…

CHANG: Love.

NIGRO: …Easy as a breakup.

CHANG: Yeah.

NIGRO: I performed in an emo band, you realize? Like, I used to be an emotional, like, 20-year-old at one level. So, like, asking me if I can relate to these emotions, in fact I can, you realize?

CHANG: Yeah, yeah, yeah. I’m so curious, although, like, whenever you’re working with an artist like Chappell, had been there any – ever any disagreement as to the course a tune ought to go? And who wins when there’s a disagreement?

NIGRO: We – I believe we get to share wins. I am going to provide you with an instance of each. So in “Pink Pony Membership,” after I first made the demo of the tune, the place the guitar solo is I had a synth solo. Like, I actually was simply, like, me enjoying the Juno-60, like, doing a solo on the synth. After which I despatched it to her, and I used to be actually enthusiastic about it. She’s like, no, it ought to be a guitar solo. And I used to be like, a guitar solo? And I keep in mind, like, at first being like, a guitar solo? Like, who does guitar solos, you realize? Like…

CHANG: Lots of people do guitar solos.

NIGRO: And I used to be like, OK. And I used to be like, OK, positive, like, I am going to strive a guitar solo.

(SOUNDBITE OF CHAPPELL ROAN SONG, “PINK PONY CLUB”)

NIGRO: That was a second the place, like, I keep in mind, like, at first being like, huh? Like, why does she need a guitar solo right here, you realize?

CHANG: Yeah. Yeah, yeah, yeah. However you give room for her to be proper, and then you definately experiment.

NIGRO: Sure. Experiment, yeah. After which she let me win on “Crimson Wine Supernova” as a result of the rhythm is (imitating musical rhythm).

(SOUNDBITE OF SONG, “RED WINE SUPERNOVA”)

ROAN: (Singing) She was a playboy, Brigitte Bardot.

NIGRO: I used to be simply pushing for it to be, like, so excessive. Like, she did not need it to be excessive. And she or he, like – and I keep in mind having a second of, we had been similar to – I used to be like, simply go along with me on it – you realize? – and, like, she sort of was like, OK, and we, like, went full camp, you realize?

CHANG: Yeah.

NIGRO: And I believe that was an enormous…

CHANG: And also you bought her.

NIGRO: And I bought her on, like, going excessive. And I keep in mind she – once we lastly, like, laid down the vocals for the tune, with, like, the let’s decide it up now, and, like, similar to the overt campiness of it…

CHANG: Proper, proper.

NIGRO: …That she was like, OK, that is superior.

(SOUNDBITE OF SONG, “RED WINE SUPERNOVA”)

ROAN: (Singing) OK, y’all, let’s decide it up now. I do not care that you are a stoner. Crimson wine supernova, fall proper into me.

CHANG: I imply, that is the enjoyment of collaboration…

NIGRO: Yeah.

CHANG: …You stretch one another. You make one another develop…

NIGRO: Yeah.

CHANG: …And you’re taking dangers since you belief the opposite individual…

NIGRO: Sure.

CHANG: …And make one thing cool.

NIGRO: I believe that is the vital half, like, is like, no, you need to hear to one another. After which on the finish of the day it is like, OK, nice. You already know what? You had been proper.

CHANG: Yeah.

NIGRO: Like, you – I can not consider that I did not hear this earlier than, yeah.

CHANG: That is so cool. You belief one another’s instinct.

NIGRO: Yeah.

CHANG: I believe that is nice. Producer Dan Nigro. He is up for producer of the yr at this yr’s Grammy Awards. Good luck, babe.

NIGRO: Good luck, babe (laughter).

CHANG: Sorry, I needed to (laughter). Thanks a lot for coming to go to me at NPR West. This was so terrific to be speaking to you.

NIGRO: Thanks. Thanks, I respect it.

(SOUNDBITE OF SONG, “GOOD LUCK, BABE!”)

ROAN: (Singing) …I name child. You’ll be able to kiss 100 boys in bars, shoot one other shot, attempt to cease the sensation. You’ll be able to say it is simply the best way you’re, make a brand new excuse, one other silly motive.

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