THMPSN, an Australian-born Phonk producer, DJ, and violinist, has carved out a novel area within the music world by mixing his classical coaching with the uncooked power of underground Phonk. From acting at prestigious venues throughout Europe to turning into a viral sensation in the USA, THMPSN’s journey is marked by his capacity to seamlessly merge magnificence with grit. His newest collaboration with Dragon Boys on “VIOLINO DA BRUXARIA” showcases this expertise, fusing conventional Brazilian rhythms with darkish, atmospheric phonk parts. We have been fortunate sufficient to sit down down with the producer himself in an unique interview to delve into THMPSN’s evolution as an artist, the inspiration behind his newest initiatives, and his imaginative and prescient for the long run as he continues to push the boundaries of style and tradition in his music. Try the interview beneath and you should definitely stream the act’s spectacular new single as properly.
You’ve had a various musical journey beginning with classical coaching and worldwide excursions. How has your classical background influenced your present work within the phonk style?
My background in classical music has considerably influenced my work within the Phonk style by permitting me to include violin melodies and craft a particular sound that most individuals wouldn’t anticipate. By mixing classical melodies with Phonk parts, I’m creating one thing really distinctive and completely different.
Are you able to share the story behind the creation of “VIOLINO DA BRUXARIA” and the way the collaboration with Dragon Boys happened?
I related with the Dragon Boys on Instagram and immediately liked their type and Brazilian Phonk. From there I created a Brazilian Phonk observe, despatched it to them, they usually recorded their vocals. I then completed the observe by including violin. It was an important expertise, and the method flowed easily.
The music video for “VIOLINO DA BRUXARIA” has a vibrant, car-culture-inspired aesthetic. How did you provide you with the idea for the video, and what was the expertise like directing it?
The music video was shot at my pal’s automobile store, the place I’m at the moment having two basic vehicles constructed. Since Phonk is carefully related to the automobile scene, I need to incorporate as many vehicles as attainable in my music movies to essentially stand out within the style.
Brazilian phonk particularly seems to play a major position in your artwork – what parts of Brazilian music do you discover most compelling, and the way do they affect your sound?
I really like the sound of Brazilian Phonk, particularly the massive, gritty synths. I actually get pleasure from creating these sounds and crafting melodies in that type.
You’re on a mission to deliver phonk into the mainstream. How do you see the present state of the style in our tradition, and the way do you see phonk rising sooner or later?
Phonk remains to be very a lot underground proper now, however I’m working laborious to create visuals that match the style and assist deliver it into the mainstream.
Trying again at your journey from Australia to Las Vegas and your evolution as an artist, what has been essentially the most pivotal second in your profession to date?
Coming to America and assembly Neil Strauss was a game-changer for me. He had many big-name musicians coming out and in of his home, they usually confirmed me that being a violinist might imply a lot extra than simply enjoying in an orchestra. On the time, my mindset was very restricted—I felt misplaced with out sheet music. However from that have, I discovered tips on how to improvise and realized there have been no guidelines; I may very well be inventive and do no matter I needed.
INTERVIEW: Rising Artist THMPSN Talks New “VIOLINO DA BRUXARIA” Single, Phonk, Classical Background + Extra