What’s “Star Trek” in 2025?
That is the query followers will certainly be asking after they end watching “Star Trek: Part 31,” the brand new Paramount+ film that actually takes the long-lasting science fiction franchise the place it hasn’t gone earlier than. Set past the reaches of the Federation, and with barely any Starfleet characters to be discovered, this can be a nook or the Trek universe not often explored on display screen — seedy, lawless, violent, and gleefully freed from the pesky “ethics” and “utopian beliefs” that the movies and exhibits in Gene Roddenberry’s milieu so generally lean upon. “Star Trek” has at all times acknowledged that the galaxy may very well be this nasty, nevertheless it often showcased it by way of the eyes, and beliefs, of stalwart leaders, scientists, and diplomats. However in “Part 31,” the universe is saved not by courageous people doing the fitting factor, however by violent, nasty a-holes who know how one can punch, stab, and shoot their means by way of a nasty scenario.
So, as soon as once more, is it “Star Trek” if it is set within the Star Trek universe, however intentionally avoids the standard components that outline “Star Trek” for thus many? It is the query that I think about “Part 31” will mild on hearth amongst followers, and a dialog definitely value having. However standing by itself, “Part 31” definitely delivers a selected set of products: that is an especially entertaining slice of B-movie motion trash, one which has the distinct odor of “Gerard Butler in January,” and it is definitely not like the rest we have ever seen bear the Trek identify. It is goofy and foolish and typically very ridiculous, however there isn’t any denying the straightforward pleasure of the entire thing.
Star Trek enters its B-movie sleaze period
Technically a spin-off of the recently-concluded “Star Trek: Discovery” (and largely made by “Disco” veterans, together with author Craig Sweeny and director Olatunde Osunsanmi), “Part 31” locations one of many nastiest, most unpredictable characters in Trek historical past on the heart of the motion. Michelle Yeoh’s Philippa Georgiou, the bloodthirsty tyrant and warlord from the notorious “Mirror Universe” who’s now stranded in Trek’s prime universe, is as soon as once more recruited by Part 31 (aka Starfleet’s CIA-flavored black ops division) to embark on a mission of grave significance. Joined by a ragtag workforce of unhinged, harmful weirdos (and one Starfleet overseer), she has to, you realize, save the galaxy. However this workforce does not have to fret in regards to the issues that might hassle Picard and Spock. Like morals.
It is clear that “Part 31” is constructed to attraction to motion followers past the core Trek viewers, and the preliminary set-up screams “Mission: Unattainable” or “Quick & Livid,” however the streaming price range and normal sense of griminess that permeates the entire thing higher recollects B-movie junkfood like “Den of Thieves.” And albeit, that is advantageous. “Star Trek” is at its most pure when it is smaller, jankier, and stranger, and regardless of “Part 31” seemingly making an attempt to be the best factor within the room, it is really fairly dang dorky, leaning as closely on nerdy franchise particulars as a lot because it does on sword fights, phaser battles, and Michelle Yeoh kicking dudes within the face. And that is the way it must be: “Star Trek” that is not dorky is not “Star Trek” in any respect.
And actually, “nerdy B-movie sleaze” is a taste of Trek we have not seen earlier than, and one which I discovered myself more and more having fun with because the movie’s whirlwind tempo dragged me alongside by way of set piece after set piece.
A forged of Star Trek scoundrels to die for
As meant, “Part 31” is the Michelle Yeoh present, and he or she wears Georgiou like a spiky, vampy, blood-soaked glove at this level. Both you take pleasure in watching Yeoh strut and kick and smirk by way of motion scenes, or you haven’t any style. Maybe probably the most nice shock of “Part 31” is that she’s surrounded by a forged of latest characters who demand equal consideration. Omari Hardwick supplies strong grounding because the workforce’s resident “regular man,” though his backstory is un-normal sufficient to boost some eyebrows if you realize your Trek lore. Kacey Rohl is a delight as by-the-book Starfleet rep Rachel Garrett (followers might acknowledge that identify), whose “if you cannot beat ’em, be a part of ’em” descent to her colleagues’ degree supplies among the film’s greatest laughs. And nobody understands the project fairly like Sam Richardson, whose shapeshifting, immoral scientist is hoot in nearly each scene. The perfect factor I can say about this workforce of dirtbags is that I’d fortunately watch them in one other journey, and the movie is not shy about leaving room open for a sequel.
Nonetheless, the entire endeavor does have the distinct style of “backdoor pilot,” which is sensible since “Part 31” was initially going to be a streaming sequence earlier than it pivoted to the fashionable equal of direct-to-video film. You’ll be able to regularly see the motion scenes pushing towards the boundaries of its smaller price range, though Osunsanmi does his damndest to let the kooky motion go as exhausting as attainable, even when the visible results price range cannot fairly sustain. On this case, I discovered myself appreciating that the movie would fairly look low cost than polished if it means among the extra outrageous motion beats may come to any sort of fruition. Trek followers used to the polish of “Unusual New Worlds” could also be shocked, however the off-the-cuff cheapness of “Part 31” is mostly a badge of honor — just like the Unique Collection again within the ’60s, “Part 31” at all times lets its goals outpace its price range.
Star Trek: Part 31 and the query of what defines Star Trek
In order that brings us again round to the query that opened this evaluate. What’s “Star Trek” in 2025, and does one thing as totally different as “Part 31” qualify as “Star Trek”? Whereas it is definitely not my supreme taste of Trek, and one which I’d hate to see develop into the default tone, this can be a franchise constructed upon multitudes. If “The Subsequent Technology” may sandwich complicated tales of ethics and scientific thought round goofball hours the place the crew are transported into the story of Robin Hood by a godlike alien with a nasty humorousness, absolutely Trek is allowed to veer into motion trash mode for a TV film. Any rewatch of the Unique Collection reminds us that “Star Trek,” for all of its high-minded beliefs, is constructed upon a gleeful, wobbly basis of outrageous junk. The fantastic thing about “Star Trek” is that it is kinda, sorta all the pieces, and we’ll argue in regards to the nature of that all the pieces till the solar burns out.
So right here I’m, giving “Star Trek: Part 31” my advice with the information that it will flip off plenty of Trek followers who need this franchise to be unique elegant exhausting sci-fi, and likewise the information that its inherent dorkiness and reliance on deep reduce Trek references may alienate these searching for a great time with some dumb motion. What’s “Star Trek” in 2025? It is one thing particular and unusual and alienating sufficient to not be for everybody. And that is “Part 31.”
/Movie Ranking: 7 out of 10
“Star Trek: Part 31” is streaming on Paramount+ beginning January 24, 2025.